I have held a camera in my hands for as long as I can remember. But in recent years, its purpose has shifted — from documenting the world to reimagining it. Today, the camera is no longer just a tool; it is my brush, my mirror, and my portal to the surreal.
My work is entirely self-conducted. I am the sole participant in every stage of creation: the model, the photographer, the digital composer. Using a tripod and a remote-control app, I photograph myself in meticulously planned poses and settings. The process is solitary and iterative — I experiment repeatedly until I discover the exact perspective or gesture needed to bring the image to life.
In many of my compositions, I appear multiple times — sometimes twice, five or even more than thirty — assuming different roles or personas within the same visual frame. Through this technique, I explore internal dialogue, identity fragmentation, and psychological layering.
My images are built from photographic fragments I capture myself, often combined with visual elements sourced from online repositories — including, at times, AI-generated components. Each piece becomes a digitally constructed reality, layered with meaning and emotion.
Like a patchwork quilt, every image harmonizes disparate fragments through extraction, distortion, and synthesis. My work invites viewers to question their perceptions and to engage with alternate visual logics. Many of my compositions delve deeply into human anxieties: aging, isolation, transition, the fear of being left behind, and the disorientation of losing one’s way. Some also serve as subtle platforms for protest or social commentary.
Ultimately, I aim to create visual experiences that resonate emotionally, provoke reflection, and explore the delicate space where perception and imagination intertwine.